![]() ![]() It should work a treat – always does for us.Īfter asking if it was ok to post the above information I got the subsequent response :. Only then do you set up the REL on high level. Let the REL do the crossover work later on and if you can take up the crossover on the Arcam to the high limits ( minimum of 120HTZ) as this is where the higher limit of the recording mix ends up with most films. ![]() This will always sound better than small speaker setting. Let Dirac do its thing with just LFE connected and speakers should be selected to large by the Arcam – if not, override it. We use Arcam in the head office – all set with high level and LFE. Its High level and LFE ( Low frequency EFFECT) its added in bass for movie soundtracks. There was posts on page 399 of this thread, 11949 - 51 discussing the use of Rel subs using the Rel hi-level and LFE inputs together and the last post seems to think that this setting and Dirac would work against each other, so as a Rel and Arcam owner, I sent posts 111 to Rel for comment and got back the following reply, which is really helpful :. ![]()
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